In accordance with Emmanuel Levinas’, s ethics, the interconnection between the subject and its Other is equated with the master-slave relationship, which is not by any means absolute. This article aims at illustrating an oscillating state of master-and-slave relation with regard to Levinas’, s ethics in Margaret Atwood’, s MaddAddam trilogy. The Face of the Other becomes a ‘, poor master’,who needs help and yet gives a serious order to the subject, one that he should obey. Subsequently, the Other deprives the subject of his/her wealth, thus overcoming its own poverty,therefore, the Other as a ‘, poor master’,and the subject as a ‘, wealthy subject’,constitute an ethical relationship. Founding the argument on the above-mentioned Levinasian principles, this paper approaches the altruistic intentions of Atwood’, s post-apocalyptic characters, and inspects how the post-apocalyptic world of her MaddAddam trilogy is ultimately orientated towards, if not also predicting, a return to now bygone humanistic, ethical and communal society.